/lit/ - Literature

This excerpt (pic) is a brilliant example of the complexity of Waldun--as a writer AND a figure of the Melbourne Movement. Notice the deep symbolism Waldun is using to code his repressed homosexuality?

A woman at a cafe--the archetypal object of desire causes our man to become self-aware. But what is he aware of? That he should desire but doesn't desire--she moves him from a light drink to a heavy drink. A call to adventure that the feminine has forced upon him. Notice the resonance of moving from tea to coffee as the symbolic object? The coded phallic language of "long black?" What does he really want and what has he accepted? The object of desire's friendship, full stop because that is all.

The sweet repression of emotion Waldun gives us via a delicate use of irony, the archetypical structuring at an inverse, is masterful. Fade into Jay.

The real object of desire is Jay (The Author). On the level of authorial biographical analysis--scholars a century from now will be talking of the tension represented in the line openly criticizing the friend and confidant. Using shade to shade in character--delightfully playful is our man Waldun (or 'Robin' as he is known to his Jay).

Jay is freedom; he cannot be constrained by formatting. We all know, deep down, that Robin will never convince Jay to share a cage. However, the Jay is teaching the Robin to soar--all gas, no breaks.

This excerpt (pic) is a brilliant example of the complexity of Waldun--as a writer AND a figure of the Melbourne Movement. Notice the deep symbolism Waldun is using to code his repressed homosexuality?

A woman at a cafe--the archetypal object of desire causes our man to become self-aware. But what is he aware of? That he should desire but doesn't desire--she moves him from a light drink to a heavy drink. A call to adventure that the feminine has forced upon him. Notice the resonance of moving from tea to coffee as the symbolic object? The coded phallic language of "long black?" What does he really want and what has he accepted? The object of desire's friendship, full stop because that is all.

The sweet repression of emotion Waldun gives us via a delicate use of irony, the archetypical structuring at an inverse, is masterful. Fade into Jay.

The real object of desire is Jay (The Author). On the level of authorial biographical analysis--scholars a century from now will be talking of the tension represented in the line openly criticizing the friend and confidant. Using shade to shade in character--delightfully playful is our man Waldun (or 'Robin' as he is known to his Jay).

Jay is freedom; he cannot be constrained by formatting. We all know, deep down, that Robin will never convince Jay to share a cage. However, the Jay is teaching the Robin to soar--all gas, no breaks.

>>21801933
>A woman at a cafe--the archetypal object of desire causes our man to become self-aware. But what is he aware of? That he should desire but doesn't desire--she moves him from a light drink to a heavy drink. A call to adventure that the feminine has forced upon him.
>This excerpt is a brilliant example of the complexity of Waldun--as a writer AND a figure of the larger Melbourne movement. Notice the deep symbolism Waldun is using to code repressed homosexuality. The winking phallic language in "long black." The resonance of moving from tea to coffee as the symbolic object. The sweet repression of emotion Waldun gives us via a delicate use of irony, the archetypal structuring at an inverse. It is simply--simply masterful.
>Decades from now, when dark academia has won the day—nay, the century, scholars will be mulling over the Jungian synchronicity of evoking the image of Jay. The shade of character—an email without formatting. Will Jay teach our Robin to soar above the constraints his repressed sexuality has imposed upon him? Understanding this, partaking of this journey, is our call to adventure my frens.
Those threads were hilarious.

>>18897581
A woman at a cafe--the archetypal object of desire causes our man to become self-aware. But what is he aware of? That he should desire but doesn't desire--she moves him from a light drink to a heavy drink. A call to adventure that the feminine has forced upon him.

This excerpt is a brilliant example of the complexity of Waldun--as a writer AND a figure of the larger Melbourne movement. Notice the deep symbolism Waldun is using to code repressed homosexuality. The winking phallic language in "long black." The resonance of moving from tea to coffee as the symbolic object. The sweet repression of emotion Waldun gives us via a delicate use of irony, the archetypal structuring at an inverse. It is simply--simply masterful.

Decades from now, when dark academia has won the day—nay, the century, scholars will be mulling over the Jungian synchronicity of evoking the image of Jay. The shade of character—an email without formatting. Will Jay teach our Robin to soar above the constraints his repressed sexuality has imposed upon him? Understanding this, partaking of this journey, is our call to adventure my frens.

>>18886373
A woman at a cafe--the archetypal object of desire causes our man to become self-aware. But what is he aware of? That he should desire but doesn't desire--she moves him from a light drink to a heavy drink. A call to adventure that the feminine has forced upon him.

This excerpt is a brilliant example of the complexity of Waldun--as a writer AND a figure of the larger Melbourne movement. Notice the deep symbolism Waldun is using to code repressed homosexuality. The winking phallic language in "long black." The resonance of moving from tea to coffee as the symbolic object. The sweet repression of emotion Waldun gives us via a delicate use of irony, the archetypal structuring at an inverse. It is simply--simply masterful.

Decades from now, when dark academia has won the day—nay, the century, scholars will be mulling over the Jungian synchronicity of evoking the image of Jay. The shade of character—an email without formatting. Will Jay teach our Robin to soar above the constraints his repressed sexuality has imposed upon him? Understanding this, partaking of this journey, is our call to adventure my frens.

>>18877682
>>18877696
>>18877698
>>18877885
Gentlemen. Notice the pathetic pseud take of >>18878122.
>>18878215
WRONG! Wrong wrong wrong...wrong. WRONG.

This excerpt (pic) is a brilliant example of the complexity of Waldun--as a writer AND a figure of the movement. Notice the deep symbolism Waldun is using to code his repressed homosexuality?

A woman at a cafe--the archetypal object of desire causes our man to become self-aware. But what is he aware of? That he should desire but doesn't desire--she moves him from a light drink to a heavy drink. A call to adventure that the feminine has forced upon him. Notice the resonance of moving from tea to coffee as the symbolic object? The coded phallic language of "long black?" What does he really want and what has he accepted? The object of desire's friendship, full stop because that is all.

The sweet repression of emotion Waldun gives us via a delicate use of irony, the archetypical structuring at an inverse, is masterful. Fade into Jay.

The real object of desire is Jay (The Author). On the level of authorial biographical analysis--scholars a century from now will be talking of the tension represented in the line openly criticizing the friend and confidant. Using shade to shade in character--delightfully playful is our man Waldun (or 'Robin' as he is known to his Jay).

Jay is freedom; he cannot be constrained by formatting. We all know, deep down, that Robin will never convince Jay to share a cage. However, the Jay is teaching the Robin to soar--all gas, no breaks.

>>18873012
whoops